Joaquín Pardavé, actor of the golden era, would have been buried alive, this is what has been said for many years in Mexico, and all for an oversight. Such an assessment has become a legend, and many consider it to be true.
Joaquín Pardavé, in a scene from the film “to the sound of the marimba”. Photo: screenshot Joaquín Pardavé died in the city of Mexico, the 20 July 1955, as a result of an embolism cerebral, just when shooting the film 208 of his film career.
According to report on various news portals, the actor was buried in the garden cemetery, also in the capital, where his remains lie along with his spouse, Soledad Rebollo, who married more than 30 years. A rumour of the time ensured that Pardavé was actually buried alive to suffer of cataleptic attacks, a condition in the body is completely paralyzed and merges with a fulminant death. Much is said the actor suffered one of these attacks with people who were unaware of this condition, so it not could warn the paramedics that they declared the death of Pardave.
the Testament would have been buried along with the actor by a relative error, which meant that they had to exhume the body. Opened the box they realized that it was full of blood and torn. That did mean Pardavé was buried alive.
Joaquín Pardavé is one of the great figures of the golden age of Mexican cinema. He was a main actor in dozens of memorable films and also distinguished himself as a script writer, director and producer. He was son of actors of Spanish origin and started in the theatre with the company of his uncle Carlos Pardavé zarzuela. The brothers Fernando, Andres, Sunday and Julián Soler, tended the bridge between zarzuela and Theater magazine and the great national film industry companies. Pardave had a talent out of series. It was a dazzling actor and a screenwriter solvent, but he also composed some of the most popular songs from the Repertoire of Mexican, as ‘Negra consentida’, ‘Wand of nardo’, ‘La Panchita’, ‘Purple window’ or ‘Caminito de la sierra’. His films were addressed to the national middle class, which knew how to characterize with affectionate irony. Always treated with care and respect ‘good families’ values, but also knew how to mock decline porfiriana class, and the claims of the aristocracy of the cactus. Pulled forward roles comic and character; I knew stealing the scene to the bravest galan, removing the reflectors to the more lush rumbera and could hold a dialogue cantinflesco with own Mario Moreno. Mrs. Sara García formed the most popular dramatic comic marriage in the history of Mexican cinema. From a young age, Pardave interpreted roles of old; However, he died at the age of 55. It was a comedy genius and remains one of our great of the golden age of Mexican cinema. #noscomportamos #comocaballerosocomoloquesomos #by #rafaelbarajaselfisgon #talkingabout #joaquinpardave #mexicanactors #mexicanfilms #mexicanpride #director #screenwriter #composer #greeneyes #fernandosoler #andressoler #domingosoler #juliansoler #cantinflas #tintan #saragarcia #thebestever #myhero #cinematographylife #partofme #oneday #likehim #feelingmyself #alive #Maya #FollowMe ‘ ^. ^ / a publication shared by Gothem psychosis (@mayacarriellok) 8 Sep 2016 at 8:20 PDT the leye NDA has endured so much that the society of authors and composers of Mexico (SACM) clarified that the rumor came out of a rotating shows of the era, in the section of transcended. Joaquín Pardavé direct relatives have denied that the exhumation of the corpse has been made.
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