translated from Spanish: What left the BAFICI after 12 days of cinema

Discussed much about his move to the neighborhood of Belgrano, its amount of seats and the number of films shown, not well happened the press conference where it was announced would like this new edition, but this BAFICI made it clear that changes are always positive . Since its birth always had changes of locations, perhaps the most emblematic Abasto and Recoleta, in each the removals were generated doubts and uncertainties, but they left always airy and became a key area within the ritual. Why might not be so Belgrano? Selected cinemas probably kept the magic of cinema to the street, neighborhood that is consistent with the direction of the independent film. And that was the most reviewed and praised by the public. Added the Enrique Larreta Museum that was part of the experience giving space for multiple evening events for children with BAFICITO, and the evening outdoors with live shows that convened to Rosario Bléfari or Leo Garcia, to name a few.

The BAFICI filled film to the neighborhood of Belgrano

A total of 315 titles, between long and short films, formed part of the programming by its artistic director, Javier Porta Fouz. Where 29% of scheduled feature films were raw operas and 100 titles were national, a number of interesting that our filmmakers can show you the local audience their works. In a country that is very limited to level resources for local productions are carried forward, even having a space of diffusion is not minor. The percentage of premières grew from one year to another, implying that more artists seek to present their films at BAFICI. With all this, talk about a festival in doldrums (in relation to the criticisms that he received prior to opening) is very limited: only look around us and understand the economy in which we are immersed, keep a schedule with that amount of films is something to highlight. At a time where each time there are less opportunities for art and culture, these spaces are valuable, not by who organize them but by what they offer to the community. Membership is also something that anyone we like art should do for the preservation of this and other espacios.390.000 people enjoyed the event which featured 37 rooms (adding bars and cultural centers, two rooms of the cinema Gaumont space INCAA, room Lugones, Alliance Française, among others), and the first edition of BAFICI Marathon, an event outdoors in the middle of Av. oath, which made the neighborhood more participate in the festival, with screenings and free activities.

BAFICI Marathon in the middle of Av. oath

The invited artists were Julien Temple, a director rooted in the musical universe and Director of works depicting David Bowie or Sex Pistols, among others. Isabel Ruth, Portuguese actress’s extensive career, collaborator of Paulo Rocha and other great European directors; Christina Lindberg, benchmark Swedish actress erotic cinema and ‘exploitation’, and Friedl vom Groller, the prestigious filmmaker and Austrian photographer, whose work is linked to activism and focused on the figure of the woman, in a side road to the Canyon of the speeches reivindicatorios feminists. The best film in the international competition was The Unicorn by Isabelle Dupuis and Tim Geraghty (United States) on Peter Grudzien and its first openly gay country album; While the end of the century, Lucio Castro (Argentina), earned the distinction as the best film of the competition Argentina.

The Unicorn: Best film of the competition international

The CINECOLOR to best foreign film audience award was for asphyxia, Ana Isabel Bustamante (Guatemala), while the CINECOLOR Argentina best film audience award went to method Livingston, Sofía Mora (Argentina). Although the search of the 50/50 on the equal participation of men and women in the film industry has not been achieved yet implemented in most of local productions, the audiovisual professionals were present and had their awards. Prize to best director from the Argentine competition Eloísa Solaas took him by his debut film: the faculties; While Peri random took the same award in the Latin American competition for his film: great Orchestra.

Julien Temple, one of the guest artists in this BAFICI

List of winners
AUDIENCE award CINECOLORMejor foreign film is for asphyxia, Ana Isabel Bustamante (Guatemala). While CINECOLOR Argentina best film audience award is for method Livingston, Sofía Mora (Argentina). ARGENTINE SHORT FILMS OFFICIAL COMPETITION
The jury was composed by Lucía Garibaldi, Gabriel Mascaro and Pablo Mazzolo.Mención Special: Whatsapp, of Martin Farina.Los best short Argentine arm are four. Prize EX AEQUO to Blue Boy, Manuel Abramovich, and NAP, Federico Luis Tachella.Mejores shorts: the record, Daniel Elias and Romance of the late tenderness of Ana Bugni.

The faculties, the debut of Eloísa Solaas

The jury was composed by Esther Díaz, Enric González and Francis Wolff.mencion Special: who killed my brother?, Ana Fraile and Lucas Scavino (Argentina). Best film: Soleils noirs, Julien Élie (Canada). VANGUARD OFFICER AND GENDER COMPETENCE
The jury was composed by Jacqui Davies, Chema García Ibarra and Vivi Tellas.Mejor short film: green ash, Pablo Mazzolo (Argentina). Best feature film: Danny, Lewis Bennett and Aaron Zeghers (Canada). Great prize art and gender: The Children of the Dead, by Kelly Copper and Pavol Liska (Austria). OFFICIAL LATIN AMERICAN COMPETITION
The jury was composed by Christian Font, Pilar Gamboa and Esther Rots.Mención Special: Tomás Raimondi for her performance in postman, Emiliano Serra (Argentina). Best Director: Peri gaming for large Orchestra (Argentina). Best film: The cast time, Juan Álvarez Neme (Uruguay). ARGENTINE OFFICIAL COMPETITION
The jury was composed by Deragh Campbell, Diego Lerer, Fanny Ostojic, Mimi Plauche and Elad Samorzik.mencion Special: brief history of the green planet, Santiago Loza.Mejor Director: Eloísa Solaas, for his film schools. Best film: End of the century, Lucio Castro.

A scene from the end of the century

The jury was composed by Brigitta Burger-Utzer, Christina Lindberg, Isabel Ruth, Sergio Wolf and star Araiza.Mejor Original Music: Mica Levi by monkeys, Alejandro Landes (Argentina / Colombia / Netherlands / Germany / Uruguay / Denmark / Sweden / Switzerland /) United States) Best Actor: Keita Ninomiya by We Are Little Zombies, Makoto Nagahisa (Japan). Best actress: She Smith by Ray & Liz, from Richard Billingham (United Kingdom). Best Director: Louis Garrel by l’homme Fidèle (France). Special Prize of the jury: sharks, Lucía Garibaldi (Uruguay / Argentina / Spain). Best film: The Unicorn, Isabelle Dupuis and Tim Geraghty (United States). NOT OFFICIAL AWARDS
70 x 100 (collective Argentine of Afichistas film) the jury was composed by Masumi Briozzo, Diego Berakha and Leandro Ibarra.Premio better aficheTercera special mention: Ray & Liz, Richard Billingham (United Kingdom) second special mention: Insula, Maria ONIS (Argentina) first special mention: sharks, Lucía Garibaldi (Uruguay / Argentina / Spain) best poster prize: Koko-di Koko-da, Johannes Nyholm (Sweden / Denmark) AADA (Argentina directors Art Association of industry and media audiovisual) the jury was integrated by Juan Mario Roust, Coca Oderigo and Julia Freid.Premio to the best art direction: Mariela Rípodas margin of error, Liliana Paolinelli.FEISAL (Federation of schools of image and sound of Latin America) by the jury It was composed by Marcelo Trotta, Mora Subiela and Anabella Speziale.Premio FEISAL: sharks, Lucía Garibaldi (Uruguay / Argentina / Spain) ACCA (Association of film critics of the Argentina) the jury was integrated by Emiliano Basile, John Pablo Russo and Horacio Chiaramonte.Premio ACCA: brief history of the green planet, Santiago Loza (Argentina). ASA (Argentina Association of audiovisual sound) the jury was integrated by Mercedes Gaviria, Sofía Straface and Santiago Fumagalli.Primera mention: Lucas Larriera by the excuse of the American dream, Florence Mugica and Laura Mara Tablonpremio to the best sound: Nahuel Palenque by faculties, Eloísa Solaas (Argentina). ADF (Argentina Association of authors of cinematographic photography) the jury was integrated by Agustín Barrutía, Rogelio Chomnalez and Kris Niklison.Mejor Director of photography: Daniel Landin, for his work on Ray & Liz, from Richard Billingham (United Kingdom). SIGNIS (World Catholic Association for communication) the jury was composed by Eduardo Freire, Blanca María Monzón, Marjorie Denisse and Reffray Vilchez.premio SIGNIS: Ray & Liz, Richard Billingham (United Kingdom) SAE + EDA (Sociedad Argentina de Editores Audiovisual + Argentina Association of audiovisual publishers) the jury was integrated by Lucía Torres, Alejo Santos and Guillermina García Silva.Mención Special: Pablo Mazzolo and Eloísa Solaas, by schools, Eloísa Solaas (Argentina). Best editing: Ana Godoy for life in common, Ezequiel Yanco (Argentina). FIPRESCI (International Federation of press film) the jury was integrated by Danielle Linssen, Elli Mastorou and Diego Trerotola.Premio FIPRESCI: asphyxia, Ana Isabel Bustamante (Guatemala). In this note:

Original source in Spanish

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