There are many ideas for new series that were detached from Game of Thrones, most of them prequels of the story we saw, based on the rich mythology of the books of Song of Ice and Fire. Although several pilots were ordered, only one of them had the approval of HBO, confirming the only spin-off that will see the light in the chain. Among those rejected projects, was the one belonging to screenwriter Bryan Cogman, who is part of Game of Thrones from the beginning and wrote, among many others, which can be considered as the best episode of this last season so uneven and controversial. The second chapter of the eighth season called “A Knight of the Seven Kingdoms” was dedicated to our beloved characters and the relations between them, evoking the best moments of a series that knew to give us excellent dialogues and great narrative arcs.
Screenwriter Bryan Cogman is a declared fan of the books Song of Ice and Fire of George RR Martin, on which is based Game of Thrones
The author of the books George RR Martin baptized him as “the third head of the dragon” on par with the showrunners David Benioff and Dan Weiss, referring to the emblem Targaryen. Famous for his encyclopedic knowledge of the world described in the books, the influence of Bryan Cogman in the series was enormous and contributed to give him that epic air that more than once was worth the comparison with the adaptations of Tolkien. But now, Cogman is free to To face other projects and everything indicates that their new contract with Amazon is just what I needed. As was known some time ago, is developing a series of “The Lord of the Rings” for the platform, which would also be a prequel to the story we all know. And his role in the same would be as “consultant” to the writers already confirmed, JD Payne and Patrick McKay.
The actor Sean Bean was Boromir in The Lord of the Rings and the famous Ned Stark in the first season of Game of Thrones
Everything indicates that the original series of Amazon will be as spectacular as the trilogy of original films of Peter Jackson, that at the time were forerunners of the fantastic genre. And they paved the way for a series of epic proportions like Game of Thrones, while it has already established that it works to bet on that level of production on the girl screen. One hand washes the other. In this note:
