translated from Spanish: The Garraf Director Lucrecia Martel gave a masterclass in Mar del Plata

the Tronador Bar where it was going to happen this masterclass was prepared for 100 people but arrived on the scene some 300, despite the great fog flogging the c City. This is how the multi-award winning director, Lucrecia Martel, arose from its public to make a reflection on the use of sound in the film as a narrative tool. Cecilia Barrionuevo, artistic director of the Festival, welcomed and gave the prize to the path (Martel had not been able to arrive at Gala Apertura) where he stood: “from the swamp to Zama, Lucrecia always us surprised. At each level we can find an entire movie, and this is not something that happens with the majority of films”. 
“It is one of the freest and most risky Directors that exist in the world.”

Barrionuevo joked about success in the call overflowing Tronador Concert: “next time we will have to move to the Luna Park”. Among the audience was José Martínez Suárez which Martel is referred to as “a master of the Argentine cinema”.

In full masterclass Director Lucrecia Martel began the meeting proposing a reflection on the use of sound in the film. “The sound for me is the origin I organized narratively. I embraced this system because it allows me to break the plot which means our own education, formal and participation in society. That generates a perception filter and those who want to narrate or simply have a happier existence, should do so. “See how to break that filter that prevents us from seeing, listening differently”, explained. And continued: “much talk image in film but very little sound and that’s really where the spectator is immersed.” I am surprised that the sound will continue to use just to make more reference to the image. What I propose is to think the sound to fail this enormous reference which has the image. You have to immerse our audience in a musical universe that puts in doubt the truth of the images, which allows to share the extraordinary experience that gives us the film to understand that reality is a construction.” Then, invited those present to participate in an activity through a series of drawings in order to observe the way in which we represent the ideas and concepts through images. Also in the consultation of the present about what you think of the series said disagree with that system of narration, which always wary of models so quickly imposed on mass culture and jokingly established a parallel between the series and the vat icano because they are the salvation of couples, since they allow these survive today from consumerism in the same set.

More than 300 gathered to see the Argentine Director Lucrecia

is currently preparing the screenplay for his next project, next to María Alché, a documentary based on the murder of the indigenous activist Javier Chocobar occurred in Tucumán in 2009. In this note: MAR del PLATA film FESTIVAL

Original source in Spanish