translated from Spanish: He killed turned Vorterix into his own house.

Going to see him killed a live motorized policeman is a guarantee to enter an introspective sonorous imaginary but, at the same time, communitarian. Whether you choose the evening to share a beer with your amigues or enter a personal mambo and spend your time crying for your ex-partner, you will always find company you have next to. With that premise in mind, and knowing that the three shows at the Teatro Vorterix were exhausted, the evening foreshadowed a seguidilla of unabated emotions and agitated unconditionally.

The band deployed their indie rock with tristonas lyrics and court melodies, which were chanted and vitoreadased by an ardent audience who did not stop jumping and dancing for 25 songs. They sounded songs from all their discography but there was emphasis on “the O’Konor synthesis” and “the Scorpio Dynasty”, the two discs that catapulted the band to a wider audience. All the subjects had the constant of a neat sound and a good volume, something very necessary to be able to appreciate the different sound textures offered by the keyboards of chat will Chat and the guitars of fucking Panting and child elephant, that marked the way of the revival Guitarrero a few years ago.

Santiago motorized, on his side, fulfilled to perfection his role as vocalist, leaning on the public only in the most acute notes that his fans completed to perfection. There were great moments of pogo in songs like “The Lights”, “Christmas Reserve”, “more or less well” and “my next Move”, one of the topics that closed the evening of Thursday May 16.

The three dates were the perfect excuse to celebrate a band that launched their first EP 15 years ago and already became the indie band Cult, offering shows where the Brotherhood of the public and the delivery of its six members is guaranteed from beginning to end. Read the full review of the show and photos of Nicolás Cortina in PORTBAND.COM.

Original source in Spanish