In a new edition of El Mostrador in La Clave, Macarena Fernández and Francisca Castillo, began the program talking with the Minister of Transport, Juan Carlos Muñoz, who addressed the novelties that exist in the field of transport. There is the determination of the ministry to keep frozen the price of buses and the metro this first semester. Also the approval after 9 years of the Automated Center for the Treatment of Infractions, better known as CATI, which will control speed limit and respect for red light with properly marked cameras. Also, yesterday the “Uber Law” was approved.
The former Undersecretary of Women and Gender Equality, María José Abud, commented on the study of the Center for Public Studies that proposes a series of measures to promote female labor participation. They highlight the flexibility of the working day, modifications to the legislation to promote the use of nurseries, or create a mandatory postnatal of two weeks that all parents comply with yes or yes. Remember that the distance in the labor participation rate between men and women remains at about 20 points in favor of them, according to a report by Fundación Chile Mujeres and the UDP, published a few days ago.
The writer and researcher of Visual Arts, Ariel Richards, spoke about her novel “Unfinished”, which delves into the following question: Does the experience of gender transit ever end? Here, the author reflects on what that path means, how to approach it in the family, and also the liberation that comes with taking that path. In short, a transformation that implies letting oneself die and being reborn.
The film critic and researcher of the Faculty of Communication and Image of the University of Chile, Iván Pinto, referred to the nominees for the next Oscar awards, and today we will concentrate on 3 categories. There is for example Best Film, where there are 10 titles in competition. Among the most “pop” are Avatar: the sense of water, Elvis, or Top Gun Maverick. Meanwhile, in Best Director, Steven Spielberg reappears, with The Fabelmans. Meanwhile, in Best International Film, South American hope is placed in “Argentina, 1985”.
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