After Taylor Swift’s three nights in Buenos Aires

They say that anything worth it is well worth the wait. An old saying that made more sense during the last four nights in Buenos Aires. After seventeen years, around 200,000 people filled the River Plate Stadium on three occasions to witness Taylor Swift’s art live, in a show almost biographical of her career. After conquering the stages of the United States, the artist landed in the Argentine capital with “The Eras Tour”. And even though she’s been doing this for a long time, what awaited her in those performances exceeded all expectations, taking both the singer herself and her team and, of course, the fans by surprise. A true milestone in his career, and in the country’s music industry. Thursday 9th, Saturday 11th and Sunday 12th. It took Taylor three dates to become a national event. The buzz and energy began long before the icon took the stage. The arrival of the “Blondie” was covered with great intensity by the media, and she was even named Guest of Honor in recognition of the magnitude of her presence. The atmosphere was imbued with the passion of the Swifties, who with the devotion of true followers, waited for days, even months, camping to make sure they had the best place within the grounds. The weather became a crucial part of the narrative, with the uncertainty of a possible suspension on Friday (which was rescheduled for Sunday). And as if that were not enough, in the midst of this rain of emotions, the dates of the concerts coincided with a political moment of great importance: the presidential elections. The star’s recent performances not only made an impact at the national level, but his influence transcended the borders of the South American country. From the public confirmation of her relationship with Travis Kelce, sealed with an emotional kiss backstage, to the affection shown by her father, Scott, towards fans. The magnitude of his debut in Buenos Aires was not limited to the stadium; with hotels full in the city, everyone wanted to be part of Swift’s experience in the country. “I’ve never seen such a big phenomenon in Argentina, maybe it’s the first time since Madonna that not only an entire country but a continent is mobilized because we received many swifties from Peru, Ecuador, Paraguay or Bolivia and the sense of community was beautiful,” shares Máximo Gulich, a fan who went viral on social networks for having made 435 Friendship Bracelets, bracelets adorned with words or phrases related to the artist that fans exchange as a symbol of friendship. With the magic of Louta and the extravaganza of Sabrina Carpenter warming up the engines of a crowd that eagerly awaited the main show, the dedication of the audience was total. Although everything seemed rehearsed, scripted and meticulously checked, those who lived through the three days in a row surely perceived that each lowering of the clock to start the countdown brought with it a new experience. “A moment that I will never forget is when I saw her go on stage for the first time after so many years of waiting, it is an incomparable feeling to have had her in our country,” shares Valentina Waldam, a fan who attended the trilogy of shows. All of Taylor’s greetings were greeted with a standing ovation, marking the beginning of a musical odyssey spanning ten distinct eras of his career. For three hours and twenty uninterrupted minutes, the performer presents a show that seeks to condense the highlights of her life. He makes sixteen costume changes, executes choreography, plays instruments, and even recreates scenes described in his lyrics. As the songs progress, the staging becomes more complex. The expansive walkway, a connection between the stage and the heart of the stadium, was masterfully used by Swift, her musicians and dancers. “I think Taylor’s energy is crazy. Even after several hours of concert, singing, dancing and wearing high heels, she doesn’t hint at being tired or anything like that. She has a smile from beginning to end and you can tell that she does each performance with nothing more than love and passion for art and the public,” says Catalina Pielert, who also lived the full experience of all the recitals. Even though the euphoria remained at an all-time high throughout the performances, a highlight stood out when Swift surprised everyone by playing two songs, which were left out of the show. setlist, in an acoustic version. In the first concert, the fanss were surprised with “The Very First Night” from the album Red (Taylor’s Version) and a piano from “Labyrinth” by Midnights. At the second show, as part of the celebration of the recent release of 1989 (Taylor’s Version), the artist unlocked new musical gems: “Is it over now?” with an added touch of a mash-up with “Out of the woods.” In addition, on piano, he captivated the audience by singing “End game” from the album Reputation, still pending re-recording. To close the last show, he chose “Better Than Revenge,” a classic of Speak Now, and “!” by 1989 (Taylor’s Version). The denouement of each concert serves its purpose by gradually transforming the stadium into a dance floor. The culmination of the three shows, with no variations in the list of songs or in their order, was marked by Midnights, the album released last year that guided us through a pop adventure. The inevitability of each era approaching the close of the show permeated the atmosphere. “It’s a bittersweet feeling because, on the one hand, I’m ecstatic to have been able to live what I lived these days, but on the other hand, I don’t want it to end. Now it’s time to follow her tour again from the screen of the cell phone as I did before her stay in Argentina, but now with the memories of the last magical nights present,” says Pielert.When the crowd screams: Taylor’s ecstasy in ArgentinaThroughout the presentations, the artist herself was surprised by the outpouring of her thousands of followers. At the conclusion of one of her hits at the first show, she was stunned to hear the thunderous scream of the crowd in the stadium, expressing her gratitude with emotional words. “Where have they been all my life? I’m living an incredible experience,” she exclaimed excitedly when she realized that the Argentinian audience was chanting her name. “The most memorable moments of the show, without a doubt, were the breaks he took to express all the love for the fans. Argentines already have a very big ego, but how beautiful it is to be told that we are the best audience, always. That we are very affectionate, kind, grateful,” says Luisa González, who holds the title of Swiftie for more than 10 years. “Maybe, for us it’s such a no-brainer, and we take it for granted, but it’s not like that around the world. Even more so being in a situation where we hear the phrase ‘what a shitty country’ so often, having someone from the outside remind us of our warmth is something very satisfying,” he adds. But what is the origin of the love for Taylor? The connection between the singer and her fans goes beyond music, taking root in the vulnerability Swift shares through her songs. Through his lyrics, fans find melodic stories and mirrors of their own lives. The American’s ability to express the complexities of love, loss, and overcoming resonates intimately, creating an emotional connection that transcends simple admiration. “His music accompanies me every day of my life; her discography is so broad and encompassing that you’ll always find a song that fits the moment in life you’re going through or your mood for the day,” Waldman reflects, adding, “I think that’s what’s distinctive about her, that she writes from experience and emotion, what makes everyone feel included in her world and that they’re not alone.” Her success lies in her authenticity and loyalty to herself, breaking away from industry conventions that often dictate a more “traditional” path to stardom. “For me, she is an example to follow because she managed to be successful by being completely genuine and true to herself, to her tastes, interests and emotions,” says Gonzalez, and continues: “We are very used as a society to seeing artists, or even people in other fields, succeed through the creation of rather ‘mainstream’ works, which offer audiences what they want to hear.” It’s a bond that goes beyond music; and it is properly born in acceptance. “She is a singer who breaks all stereotypes and embraces the femininity that they assimilate as ‘dumb’. She likes pink, she likes glitter, she cries for love, so what?” says Luisa.More than a musical idol, Taylor revealed herself as a storyteller, a creator of shared moments. And during these three days, the complicity between the artist and her audience reached unimaginable levels. The connection goes beyond the music and becomes a unique emotional experience. “You feel like you really care about the fan experience and make it unforgettable for everybody, and I certainly did thatWaldman said. In the same vein, Gulich continues, “I feel so grateful that I was able to experience something like that.” “Luckily, I’ve already bought tickets to see it in Germany next year because there are never enough Eras Tour dates in people’s lives,” he concludes, laughing.

Original source in Spanish