Pedro Rosemblat and his editorial after Milei’s aggression: “Lali doesn’t discipline herself but many do”

Communicator Pedro Rosemblat dedicated his editorial this morning to Gelatin based on President Javier Milei’s aggression against Lali Espósito, through an interview for LN+.” The first thing I want to say is that I understand Milei,” said the journalist who did not take long to finish off in a game of references with his song: “I am also obsessed with Lali.” “And I do the same stupid things that you do, I look at everything he does, I pay attention to what he says, they ask me about the governors or about the national teachers’ parity and I talk about it. At times it’s exasperating,” he said. Aware that his statements are going to be attributed to the artist for being his partner and that the title is not going to be “what Pedro Rosemblat thought” about Mieli’s statements but “what Lali’s boyfriend thought about Milei’s statements”, the communicator acknowledged that he did not want his statements to be in a tone of “defense”. since “it is clear that she does not need her boyfriend to defend her because she is on her own and if she needs a defense she has millions of people who can do it and in fact do.” The second thing I’m going to say is that it’s clear that the goal is not to frighten Lali but to scare everyone else. While there are many cultural and music leaders who have spoken out, there are also many who remain silent,” he said. “Lali doesn’t discipline herself, but many do,” he continued. If you can convince someone that Lali lives off the state, you can convince them of anything. Because his life has been public since he was six years old and it is also within anyone’s reach which are the festivals that are held in Argentina and which are the artists who play. It’s hard for me to think of any mainstream artist who hasn’t been to a public festival and I’m surprised that the president ignores him because his own partner (Fátima Flórez) is a great artist who even participated in many events organized by provinces and municipalities,” she said. And he continued: “So what bothers is not the festivals and the fact that artists play in them, what bothers is that an artist who has a privileged place in the market decides to put a collective sense before an individual interest. Because clearly in commercial terms the best business is not to give your opinion (to play dumb) and that no one fucks you, as most do.” On the other hand, Rosemblat alluded (as our journalist Paula Giménez recently did) to the libertarian manifesto that maintains that “liberalism is the unrestricted respect for the life project of others based on the principle of non-aggression.” “But he keeps attacking everybody. Surely because he is not a liberal but simply one more reactionary like so many that existed in Argentine history,” he stressed.
“Nobody wanted Lali and stopped loving her because Milei talks about her when they ask her about the situation in the provinces or the teachers’ conflict. But what is certain is if the situation in the provinces continues to worsen, if classes do not start, purchasing power continues to fall and on top of that, when they ask him about these issues, the president talks about Lali, the one they are going to stop loving is him,” he concluded. In dialogue with Luis Majul, Pablo Rossi and Esteban Trebucq, the president attacked the artist and, as on previous occasions, again accused her of enriching the State. Why does the Nation have to be permanently funding? Let the recitals go down. In Córdoba they make the Cosquín Rock, which is private, but in the subsidy (“tax extensions,” Majul corrected him) they give him one billion pesos. For example, Lali Depósito was paid by the State. In one of the concerts he was paid $350,000. The question is whether you are willing to finance these expenses against the VAT that takes food from the poor children of Chaco,” said Milei.These words come after the composer, singer and actress spoke on stage: “This is what we Argentines are, this union that generates art, music, culture, Nobody’s ever going to take it away from us,” and then dedicates his next song to “The bad people and the anti-patriots.” Lali at Cosquín RockFrom Filo.news we were at the outstanding festival and we invite you to watch our interview with the artist:

Original source in Spanish