Dalí’s Dreams

On May 13, the temporary exhibition “Dalí Sueños” arrived in Los Mochis, located precisely in the Center for Innovation and Education. In it there are 32 surrealist works by the Spanish painter and self-proclaimed genius, Salvador Dalí (Figueras, 1904 – 1989) where the facets that he ventured in different stages of his artistic life are exposed: literature, painting and sculpture. His style does not leave anyone indifferent and one reflects on the meaning of life when seeing the magnanimity of melted watches, the spark emerges and one leaves wanting to know the time to create and paint. What beauty is hidden behind the creation of the human being, it is incredible and enigmatic to see how such disparate themes can be connected and invent something unique as the Nobility of the times or portray the mystery and secrets with The Woman on Fire.There lies the importance of art, it moves our soul, it transforms, evolves and continues. It is eternal and goes against the passage of time, transgresses the present to stay in the future and thus at the same time turns to the past. Therefore, this great exhibition brings us closer to the world of Dalí and his unusual vision of reality and in a general way, to the history of art, taking a tour of his biography and the social context in which he lived, remember that he has been one of the most influential – and controversial – artists of all time.  The exhibition will be available until September 11. Its access is free, free admission, anyone can walk the corridors of the installation and thus be amazed with the creative sensitivity of the lord of the mustache great colleague of Luis Buñuel and thus spend a unique moment that will persist in the memory. Because it is an opportunity for Sinaloans to be amazed and let themselves be carried away by the universe of each of the creations and contemplate the peculiarity of their ideas that eternally frame time, dreams, onirism, irony, absurdity, the unconscious, the female body and death. 



Original source in Spanish

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